Adolf Dehn
“Swans” - Lithograph, 1935
3.25”x4.75”
Adolf Dehn
“Snow in the Mountains” - Lithograph, 1931
3”x4”
Adolf Dehn
“Along the Italian Border” - Lithograph, 1935
2 7/8”x4”
Agnes Tait (1894-1981)
“Visitor” – Lithograph, 1935
4”x2.25”
Agnes Tait (1894-1981)
“Vanity” – Lithograph, 1935
4.5”x3.5”
Agnes Tait (1894-1981)
“Amities” – Lithograph, 1935
3 1/8”x5”
Arnold Ronnebeck (1885-1947)
“Red Rock Lake” – Lithograph, 1935
3 3/8”x5”
Conrad Bluff
“Forest Folk” – Lithograph, 1935
3 5/8”x4.5”
Diego Rivera (1886-1957)
“Fruits of Labor” - Lithograph, 1935
5 1/8”x3 5/8
Dorothy McEntee (1902-Unknown)
“Geese in Winter” - Woodcut , 1935
4.5”x3.75”
Dorothy McEntee (1902-Unknown)
“The Sun” - Woodcut , 1935
4.75”x3 7/8
Edith Newton (1878-1962)
“Huldah’s Front Hall” - Intaglio, etching , 1935
4”x3.25”
Emil Ganso (1895-1941)
“Still Life with Flowers” – Woodcut, 1935
4.5”x3.75”
Ernest Fiene (1894-1965)
“Dyckman Street Church” - Intaglio, etching, 1935
3.5”x4.75”
Ernest Fiene (1894-1965)
“Connecticut Winter” – Lithograph, 1935
2.75”x4”
Eugene Higgins (1874-1958)
“Old Inhabitants” – Lithograph, 1935
4.5”x3.5”
Eugene Higgins (1874-1958)
“Homeward” - Intaglio, etching, 1935
3”x3.5”
Eugene Higgins (1874-1958)
“Nativity” - Intaglio, etching, 1935
5”x6”
Fiske Boyd (1895-1975)
“Blooming Grove Church” – Woodcut, 1935
3”x5”
Fiske Boyd (1895-1975)
“Chester, N.Y. - – Woodcut, 1935
3”x3.5
Grant Reynard (1887-1968)
“Child Reading” - Intaglio, etching, 1935
4”x3”
Grant Reynard (1887-1968)
“Sleds and Snow” - Intaglio, etching, 1935
4.25”x4.25”
Harold Denison (1887-1940)
“Snow Valley” - Lithograph, 1935
4 3/8”x3.75”
Harold Denison (1887-1940)
“Frozen River” - Intaglio, etching, 1935
3.5”x4.75”
Harry Wickey (1892-1968)
“Storm Sweeping the Hudson” - Intaglio, etching, 1935
4 1/8”x5”
Harry Wickey (1892-1968)
“Railroad Cut” - Intaglio, etching, 1935
3 3/8”x5”
Howard Cook (1901-1980)
“New York Towers” – Woodcut, 1935
4.5”x7”
Howard Cook (1901-1980)
“Harbor Skyline” – Lithograph, 1935
3.5”x4 3/8”
Jose Clemente Orozco (1883-1949)
“The Franciscan” – Lithograph, 1935
4 7/8”x4”
Jose Clemente Orozco (1883-1949)
“Three Generations” – Lithograph, 1935
3.5”x5.25”
Jerome Myers (1867-1940)
“First Avenue Park” - Intaglio, etching, 1935
12”x5”
Jerome Myers (1867-1940)
“Child with Doll” - Intaglio, etching, 1935
4”x1 13/16”
John Costigan (1888-1972)
“Figures with Cow” - Intaglio, etching, 1935
12”x5”
John Costigan (1888-1972)
“Rosella and Danny” - Intaglio, etching, 1935
2.75”x3.75”
John Steuart Curry (1897-1946)
“The Tornado” – Lithograph, 1935
2.75”x4”
John Taylor Arms (1887-1953)
“Sunlight on Stone” - Intaglio, etching, 1935
6.25”x3.25”
Julius Hawkes (1884-1960)
“Holiday Time” – Woodcut, 1935
4.5”x3.75”
Kenneth Hayes Miller (1876-1952)
“Department Store” - Intaglio, etching, 1935
4 7/8”x3.5”
Kenneth Hayes Miller (1876-1952)
“Nurse and Child” - Intaglio, etching, 1935
4 5/8”x3.25”
Leo John Meissner (1895-1977)
“Council of Elders” – Woodcut, 1935
4.5”x3.75”
Leo John Meissner (1895-1977)
“Village Kirk” – Woodcut, 1935
4”x2.75”
Mabel Dwight (1876-1955)
“Circus Rider” – Lithograph, 1935
4.75”x3 3/8”
Makmon
“Pinion in Navajo Land” - Intaglio, etching,1935
3”x4”
Paul Landacre (1893-1963)
“Stadium…Berkeley” – Woodcut, 1935
4.75”x3 5/8”
Paul Landacre (1893-1963)
“San Bernardino Mountains” – Woodcut, 1935
5 1/8”x3.75”
Peggy Bacon (1895-1987)
“Child and Globe” - Intaglio, etching, drypoint, 1935
3.25”x4.75”
R. Ruzicks
“Sea Gulls” – Woodcut, 1935
3”x4”
R. Ruzicks
“Hudson River” – Woodcut, 1935
3.5”x4 15/16”
R. Ruzicks
“A Bit of Old New York” – Lithograph, 1935
3”x3 7/8”
Reginald Marsh (1898-1954)
“Watering Locomotive” - Intaglio, etching, 1935
12”x5”
Reginald Marsh (1898-1954)
“Merry Go Round” - Intaglio, etching, 1935
2.75”x4”
Reginald Marsh (1898-1954)
“Coney Island Steamboat” - Intaglio, etching, 1935
4”x4”
Reginald Marsh (1898-1954)
“Box at the Metropolitan Opera House” -
Intaglio, etching, engraving, 1935
4.75”x3.75”
Rockwell Kent (1882-1971)
“Blue Bird” – Woodcut, 1935
4.5”x4.5”
Don Freeman (1908-1978)
“Added Attraction” – Lithograph, 1935
3 7/8”x4 7/8”
Don Freeman (1908-1978)
“Saturday Night” – Lithograph, 1938
9.5”x12.5”
Ronau Woiceske
“Milky Way” - Intaglio, etching, 1935
4.5”x3.75”
Thomas Nason (1889-1871)
“Berry Picker” - Wood engraving, 1935
2 5/8”x4”
Thomas Nason (1889-1871)
“Back Country” - Wood engraving, 1935
4.5”x5”
Victoria Hutions
“Winter Landscape” – Woodcut, 1935
3 5/16”x3.75”
Wanda Gag (1893-1946)
“Franklin Stove” - Wood engraving, 1935
2 7/8”x4”
Wanda Gag (1893-1946)
“Christmas Eve” - Wood engraving, 1935
3.75”x4”
Wanda Gag (1893-1946)
“Lantern and Fireplace” - Wood engraving, 1935
4.5”x3.25”
Studied at the National Academy of Design in New York City.
Illustrator of children’s books including “Heidi” in 1947 and
“Paco’s Miracle” in 1961. Commissioned to paint several
portraits, she also painted cats, landscapes and scenes with
adobes and churches.
Born in Germany and studied sculpture at the Royal Art School in Berlin and Munich.
Living in Paris, he became associated with Gertrude Stein, Marsden Martley and Charles Desmuth.
Moving to New York in 1923 his work transitioned toward the Graphic Arts under the
guidance of Alfred Stieglity. Settling in Denver, Colorado in 1926 where he became
Director of the Denver Art Museum.
Student at the Pennsylvania Academy of Art and a member of American Watercolor Society.
She was a genre artist of everyday life and an art educator.
Born in Saginaw, Michigan and studied at the Corcoran School of Art.
She is known for her printmaking abilities with a specialty in lithography with the
subject matter being landscapes.
Born in Germany and immigrated to the United States at age 17.
Known for his erotic figure studies; served as an artist in residence at the University of Iowa.
Born in Dlberfeld, Germany, immigrated to the United States in 1912.
A teacher at the Art Students League in New York City for thirty years.
Fienes’ work is most known for his landscapes of American scenes.
Influenced by the work of Paumier, Higgins work follows the tenets of Social Realism,
by depicting melancholy scenes that show a full range of emotions.
Studied at the Art Students League in New York and the Pennsylvania Academy.
A printmaker and graphic artist, his work is known for genre landscapes.
Studied at the School of the Art Institute of Chicago, Reynard was known for his
editorial illustrations. His work appeared in “Colliers”, “Country Gentlemen”,
“Women’s Home Companion”, and the “Saturday Evening Post”.
Studied at the Art Students League in New York and the Chicago Academy of Fine Art.
Denison worked as a cartoonist and a representational illustrator.
A printmaker specializing in etching before turning to sculpture in 1938
when his eyesight became impaired from etching acids.
Master-Printmaker, whose work appeared in magazines such as “Forum” and “Century”.
Ainted frescos during the WPA era, and in the 1940’s gained recognition for
his watercolors of Taos Valley. In the 1970’s his career had resurgence as the
New York art scene took note of his large-scale graphic work.
Student at the Art Institute of Kansas, and the School of the Art Institute of Chicago.
Known for his regionalist depictions of rural life and the struggles with nature and agriculture.
Student at Princeton, and Massachusetts Institute of Technology.
Known for his etching techniques and his book entitled
“Handbook on Printmaking and Printmakers”.
Born in Buffalo, New York and studied at the Boston Museum School.
A relief printmaker specializing in Block printing and woodcuts with
landscapes as his primary subject matter.
A student of William Merritt Chase at the New York School of Fine Art.
Miller is known for his romantic street scene depictions of women in their daily lives.
Born in Columbus, Ohio and studied at Okio State University. Landacre dedicated
his entire career to the act of wood engravings. Teacher at the Otis Art Institute in Los Angeles.
Her 1934 book of caricatures entitled “Off With Their Heads”, established her
as a major American satirest. A student of John Sloan and George Bellows
at the Art Students League where she developed her printmaking skills
and focused on the speciality of dry-point etchings.
Born in Paris, France, and studied at Yale. Marsh is most known for his
egg tempera paintings of life depicting urban-realism. A teacher at the
Art Students League for twenty years.
Studied architecture at Columbia but quickly transitioned into the fine arts
where he received much acclaim as a painter and printmaker. Known also
for his social activism representing artists’ rights.
Born in California and studied at the San Diego School of Fine Arts,
Freeman after moving to New York focused his attention on editorial
work and illustration. With thirty-three published credits to his name.
His subject matter was a more optimistic and up-lifting vision of New York.
Student at Tufts College but is primarily considered a self-taught artist.
A master of relief print techniques, his subject matter includes landscapes, rivers,
hunters, and dogs.
Born in New Ulm, Minnesota and a student at the Minneapolis College of Art.
Gained acclaim as a childerens book illustrator, including 1928 “Millions of Cats”
and 1933 “The ABC Bunny”. Her stories were influenced by folktales she heard as a child.
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Adolf Dehn
“Swans” - Lithograph, 1935
3.25”x4.75”